Monday Reruns: Grand Central Christmas

A NOTE BEFORE READING: This is actually a rerun of a rerun, but if you've seen "the Grinch" or White Christmas more than a few times, you'll appreciate that sense of precedence that comes with holiday fare. This also will be my last post for 2011. ...When windstorms lead to power outages lead to fried motherboards and the unexpected purchase of a new computer, a girl can get a little stressed, so... I'm giving myself a break. I will, though, try to resume my enthusiastic blog-hopping in the days and weeks ahead. And, I'll be back with a fresh rerun and a new post early in the new year! Best wishes to all, and to all a good week.

(original post-date: December 23, 2009)

My verbal skills include the ability to take an acerbic path. That's not necessarily a gift. It just is. And it is, among other things, potentially misleading. Contradicting that caustic edge is another part of me -- the part that is moved to tears by a profound sense of what I can only describe as universality.

That connection.

That feeling.

That “brotherhood of man” thing.

Although I claim no religious affiliations, Christmas carols have always pushed that special button for me. I don’t care if it’s about some little town named Bethlehem, a drummer boy catching Mary’s eye, or whatever it was that came upon a midnight clear… if you put me in a room where a bunch of people are singing those songs, I guarantee you, I’ll start crying.

(I might even embarrass you.)

Back in my New York years, I worked for a time at the Ford Foundation, and so my commute to and from the office involved walking through Grand Central Station. One December evening, I was in the main concourse area when I heard some familiar songs, and so I was drawn to a circle of people. Among them was a man in his late twenties (I’m guessing), dressed in jeans and a flannel shirt. His guitar was strapped on, and his enthusiasm in leading the group of carolers was charmingly genuine. As for the group, it appeared to have a core: young people. Specifically, teens.

I’ll never know the actual story behind the gathering, but I made one up on the spot, and I’m sticking to it. Here’s what I think was happening at Grand Central that evening: teacher man, who had grown up in the 60’s and 70’s, had an altruistic heart (quite different from his peers, who were – at the time – all wearing yellow ties and working on Wall Street). He successfully recruited about a dozen of the ninth graders from his Connecticut classroom, and together, they rode the train into Manhattan earlier that afternoon. Then, just in time for the rush-hour madness, they formed their circle. For anyone who joined the circle, they had prepared – and happily distributed – sheets of lyrics.

They were armed and ready – to promote joy to the world in Grand Central Station.

When I first approached the circle, it was simply out of curiosity. Once I realized I could do some caroling on my way home from work, I was more than happy to join in. I accepted a copy of the stapled collection of lyrics (though I didn’t need them for the most part), and I participated with enthusiasm.

But as we were into the second verse of Angels We Have Heard On High, I realized I had to make an adjustment. I had to hold the stapled lyrics a little higher. I had to hide my face. I was hard-pressed, at that point, to hold back the tears, and while I’m not ashamed to cry at anything, I didn’t want to disturb someone else’s good time…

I should note, though, that part of what compelled that maneuver was the observations I already had made. Before allowing that lyric sheet to hide my emotion, I had looked around. I had taken in the faces and bodies who had joined this circle of impromptu carolers. There were homeless women (at the time, we called them “bag ladies”); there were businessmen and women executives; there were local service workers and tourists just passing through. There was teacher man and his students.

There was, from what I could tell, everyone.

Everyone – singing together in a circle.

Everyone – creating a sound of joy.

The beauty of the noise emanating from Grand Central’s main concourse was so powerful. The familiarity there was so universal.

In that moment, all else seemed secondary or obsolete.

I hid behind the lyric sheet.

I sang and I cried.

And when I’d had my fill, I left the circle and caught the shuttle to Times Square.

From there, I transferred to the Broadway Local and headed home.

Happy Holidays.

Monday Reruns: Grand Central Christmas

(original post-date: December 23, 2009)

My verbal skills include the ability to take an acerbic path. That's not necessarily a gift. It just is. And it is, among other things, potentially misleading. Contradicting that caustic edge is another part of me -- the part that is moved to tears by a profound sense of what I can only describe as universality.

That connection.

That feeling.

That “brotherhood of man” thing.

Although I claim no religious affiliations, Christmas carols have always pushed that special button for me. I don’t care if it’s about some little town named Bethlehem, a drummer boy catching Mary’s eye, or whatever it was that came upon a midnight clear… if you put me in a room where a bunch of people are singing those songs, I guarantee you, I’ll start crying.

(I might even embarrass you.)

Back in my New York years, I worked for a time at the Ford Foundation, and so my commute to and from the office involved walking through Grand Central Station. One December evening, I was in the main concourse area when I heard some familiar songs, and so I was drawn to a circle of people. Among them was a man in his late twenties (I’m guessing), dressed in jeans and a flannel shirt. His guitar was strapped on, and his enthusiasm in leading the group of carolers was charmingly genuine. As for the group, it appeared to have a core: young people. Specifically, teens.

I’ll never know the actual story behind the gathering, but I made one up on the spot, and I’m sticking to it. Here’s what I think was happening at Grand Central that evening: teacher man, who had grown up in the 60’s and 70’s, had an altruistic heart (quite different from his peers, who were – at the time – all wearing yellow ties and working on Wall Street). He successfully recruited about a dozen of the ninth graders from his Connecticut classroom, and together, they rode the train into Manhattan earlier that afternoon. Then, just in time for the rush-hour madness, they formed their circle. For anyone who joined the circle, they had prepared – and happily distributed – sheets of lyrics.

They were armed and ready – to promote joy to the world in Grand Central Station.

When I first approached the circle, it was simply out of curiosity. Once I realized I could do some caroling on my way home from work, I was more than happy to join in. I accepted a copy of the stapled collection of lyrics (though I didn’t need them for the most part), and I participated with enthusiasm.

But as we were into the second verse of Angels We Have Heard On High, I realized I had to make an adjustment. I had to hold the stapled lyrics a little higher. I had to hide my face. I was hard-pressed, at that point, to hold back the tears, and while I’m not ashamed to cry at anything, I didn’t want to disturb someone else’s good time…

I should note, though, that part of what compelled that maneuver was the observations I already had made. Before allowing that lyric sheet to hide my emotion, I had looked around. I had taken in the faces and bodies who had joined this circle of impromptu carolers. There were homeless women (at the time, we called them “bag ladies”); there were businessmen and women executives; there were local service workers and tourists just passing through. There was teacher man and his students.

There was, from what I could tell, everyone.

Everyone – singing together in a circle.

Everyone – creating a sound of joy.

The beauty of the noise emanating from Grand Central’s main concourse was so powerful. The familiarity there was so universal.

In that moment, all else seemed secondary or obsolete.

I hid behind the lyric sheet.

I sang and I cried.

And when I’d had my fill, I left the circle and caught the shuttle to Times Square.

From there, I transferred to the Broadway Local and headed home.

Happy Holidays.

Grand Central Christmas

My verbal skills include the ability to take an acerbic path. That's not necessarily a gift. It just is. And it is, among other things, potentially misleading. Contradicting that caustic edge is another part of me -- the part that is moved to tears by a profound sense of what I can only describe as universality.

That connection.

That feeling.

That “brotherhood of man” thing.

Although I claim no religious affiliations, Christmas carols have always pushed that special button for me. I don’t care if it’s about some little town named Bethlehem, a drummer boy catching Mary’s eye, or whatever it was that came upon a midnight clear… if you put me in a room where a bunch of people are singing those songs, I guarantee you, I’ll start crying.

(I might even embarrass you.)

Back in my New York years, I worked for a time at the Ford Foundation, and so my commute to and from the office involved walking through Grand Central Station. One December evening, I was in the main concourse area when I heard some familiar songs, and so I was drawn to a circle of people. Among them was a man in his late twenties (I’m guessing), dressed in jeans and a flannel shirt. His guitar was strapped on, and his enthusiasm in leading the group of carolers was charmingly genuine. As for the group, it appeared to have a core: young people. Specifically, teens.

I’ll never know the actual story behind the gathering, but I made one up on the spot, and I’m sticking to it. Here’s what I think was happening at Grand Central that evening: teacher man, who had grown up in the 60’s and 70’s, had an altruistic heart (quite different from his peers, who were – at the time – all wearing yellow ties and working on Wall Street). He successfully recruited about a dozen of the ninth graders from his Connecticut classroom, and together, they rode the train into Manhattan earlier that afternoon. Then, just in time for the rush-hour madness, they formed their circle. For anyone who joined the circle, they had prepared – and happily distributed – sheets of lyrics.

They were armed and ready – to promote joy to the world in Grand Central Station.

When I first approached the circle, it was simply out of curiosity. Once I realized I could do some caroling on my way home from work, I was more than happy to join in. I accepted a copy of the stapled collection of lyrics (though I didn’t need them for the most part), and I participated with enthusiasm.

But as we were into the second verse of Angels We Have Heard On High, I realized I had to make an adjustment. I had to hold the stapled lyrics a little higher. I had to hide my face. I was hard-pressed, at that point, to hold back the tears, and while I’m not ashamed to cry at anything, I didn’t want to disturb someone else’s good time…

I should note, though, that part of what compelled that maneuver was the observations I already had made. Before allowing that lyric sheet to hide my emotion, I had looked around. I had taken in the faces and bodies who had joined this circle of impromptu carolers. There were homeless women (at the time, we called them “bag ladies”); there were businessmen and women executives; there were local service workers and tourists just passing through. There was teacher man and his students.

There was, from what I could tell, everyone.

Everyone – singing together in a circle.

Everyone – creating a sound of joy.

The beauty of the noise emanating from Grand Central’s main concourse was so powerful. The familiarity there was so universal.

In that moment, all else seemed secondary or obsolete.

I hid behind the lyric sheet.

I sang and I cried.

And when I’d had my fill, I left the circle and caught the shuttle to Times Square.

From there, I transferred to the Broadway Local and headed home.

Happy Holidays.