Mom - Faith, Sapphires, and White Light: Part One

A NOTE BEFORE READING: Today’s post and the three Wednesday posts that will follow it come from a memoir project: five Catalysts and five Constants. The project’s essays are all quite a bit longer than my usual posts, so I am going to share this one in four installments.

On the occasion of her eighteenth birthday, my mother received a cocktail ring from her Aunt Catherine. Catherine, who never married, bought the ring in France in the 1920’s. It has a classic deco design – diamonds and sapphires glistening subtly in a platinum setting. It must have looked quite beautiful on my mother’s young hand. It must have looked quite appropriate, too. The year was 1945, the locale was New England, and young women my Mom’s age had occasions to wear cocktail rings. They even had cocktail dresses.

I don’t think, though, that Mom was wearing either a cocktail ring or a cocktail dress the night she met Dad. I’ve gathered it was a much more casual event, a get-together thrown in the Manhattan living room of some of their mutual friends. But regardless of costuming, they did meet, and in April of 1950, they got married. By the end of that decade, they had two daughters. My sister, Martha, was born in early 1956. I was born twenty months later.

It must have been shortly after my birth that our mother made a decision about the future. Inspired, no doubt, by Catherine’s generous gift – and reflecting her own appreciation for the gesture – Mom decided that my sister and I would each receive a cocktail ring on the occasions of our eighteenth birthdays. Martha would get the emerald and diamond ring that Mom had inherited from “Aunt Edina” – her father’s former nanny. And I, who had been named after Aunt Catherine, would get the beautiful deco piece. My mother would thereby begin a tradition.

In the late 1950’s, a sense of tradition probably had its place. And Mom had no reason to believe that her plan wasn’t sensible. She could not have anticipated the decade ahead. She could not have anticipated the dramatic cultural transformations that, among other things, would lead to women burning their bras when they might otherwise be shopping for cocktail dresses.

Maybe no one could have anticipated the Sixties. But there they were: the civil rights movement, the assassinations, the war and the protests against it, flower power, Woodstock. Events in the country seemed to unfold at a pace that was at once necessary and out of control. Those events changed our nation’s context completely.

And at the end of that decade, a much more personal event changed our family’s context. Also completely.

My parents went to a cocktail party at the Country Club, and their close circle of friends decided on an after-party. A late-night meal at the restaurant owned by one of the couples in the group. It was Friday the 13th. June, 1969. The restaurant was probably no more than a ten-minute drive from the Country Club.

My parents were not even halfway to the restaurant when a Cadillac sedan slammed into the passenger side of their tiny English Ford. My Dad, who was driving, got off lucky. Despite the car’s being forced a good fifty feet off its course, he suffered only a few broken ribs. Mom, though, was in bad shape. The paramedics had to cut off the door to extract her from the car. They also had to cut the beautiful cocktail dress she bought in Paris two years earlier.

I was eleven years old that summer; my sister was thirteen. We received the news when the Cooleys (our parents’ closest friends) showed up where we had been babysitting. After telling us the abridged version of the event (which was all anyone knew at the time), the Cooleys took us home to pack some things. Then we went to their house, which was less than a quarter-mile from our own.

That first weekend was strange – so many people coming by with food. An odd energy. It seemed serious, but not too serious, all at once. Although we were told initially that Mom had a broken arm, it became apparent soon that there was more to the story. But it was only when she was “out of the woods” that we learned how dire her condition had been.

Dad was home by the middle of the following week, and so Martha and I went home, too. But Mom would be in the hospital for most of the summer, as her ultimately extensive list of injuries included a broken pelvis, which would take a few months to heal.

I can’t remember if I ever truly felt the pain and fear that an eleven year old might be expected to experience during that summer. I knew, in a way, that I had almost lost my mother. But, I also knew that I hadn’t lost my mother. And so the “almost” was intangible somehow.

I also wasn’t one then to reveal any deep digging into personal emotions. Sure, I would cry openly for hours over a good, sentimental movie or television program, but when it came to family stuff, I was famous for my stoicism. Maybe I did appear stoic. Maybe I had to – if only for the sake of marking my own territory in a land where my older sister’s dynamics absorbed just about all the energy in a given space.

In any event, after the Accident, and after Mom came home finally, my alleged stoicism regarding the event didn’t exactly stand out in the crowd. The whole family seemed somewhat resigned. And rather than celebrate Mom’s having lived, we just tried to pick up where we had left off.

But, we each carried the Accident within us. For years, it would be a burden that we would never forget, and one that we would never explore fully.

to be continued on Wednesday, May 11th

My Literal Childhood: More Reflections

In at least one previous post, I shared how, as a child, I had a tendency to interpret the meaning of things with a strong sense of the literal. I corrected my mother when she suggested that she might “tuck me in.” I assumed teachers were constantly bestowed with gifts by virtue of how many kids answered the roll call with “present.” I thought the phone’s busy signal indicated an inordinate amount of activity in the home being called…

Well, here’s another anecdote. It’s about the Beatles.

Back in the early- to mid-Sixties, our family had a few routines, and one of them occurred on Sunday nights. Martha and I would watch The Wonderful World of Disney as Mom and Dad would hang out in another part of the large basement room, preparing the main course of our Sunday night supper: square hamburgers (pre-made frozen patties) prepped in the electric frying pan and ultimately placed between two slices of white bread. Generally, dinner would be ready in time for The Ed Sullivan Show, which we would watch together, en famille.

The basement in question went through a nice metamorphosis during the summer of 1967, but before that, it was a little skanky. And on either side of the change were the insects and household creatures that are simply indigenous to where you live.

In our basement, the indigenous crop of insects included beetles, and although they showed up regularly, they never felt intrusive. A little less than an inch long and black in color, they always seemed innocent enough. (They certainly never seemed as gross as the cockroaches I would confront years later, when I lived in New York.) Beetles were simply part of rural life, and there was no denying our rural life: on the other side of the backyard’s barbed wire fence was a cow pasture (and the requisite cows).

So I guess it was late January, early February of 1964 when Mom started getting excited. She just couldn’t wait for the upcoming Ed Sullivan Show. “The Beatles!” she would say, enthusiastically. “The Beatles are going to be on Ed Sullivan!”

Just over six years old, I wasn’t up on current events, and because I never asked my mother to SPELL OUT her enthusiasm, I could only draw my own conclusions. So, for that week before the infamous debut of the Beatles in the states, I had a vision. I imagined these incredibly large bugs jumping through hula-hoops. I kid you not. And, by the way, if you were a kid my age watching Sullivan, you will have to admit that an act like that would not be out of the question. Sure, it might have made Topo Gigio and the venerable plate-spinners feel totally upstaged, but, come on, it could have happened!

Of course, and as we all know, it didn’t happen as I had imagined it. No insects jumping through hula-hoops that night, but rather a fabulous foursome of mop-headed boys, and among them, one who was (“sorry girls”) married.

Martha and I quickly identified our bachelors. For me, Paul. For my sister, George. And during the entire telecast, I don’t remember once looking back at the couch where Mom and Dad were sitting. I never once looked to see the joy that must undoubtedly have been spread across my Mom’s face. After all, she was the one who had been so excited about this event.

I do, though, remember so many instances, in the years thereafter, of jumping in the car when Mom would come to pick me up from school. Her smile broad, she’d share, “I just bought the latest Beatles album!”

I also remember working on a school report once. I was probably in 4th grade at the time. At that point, our family’s Beatles collection probably included no fewer than seven albums. As for my report? It was about friction, and a line therein contained the following phrase, “rubber souls help…”

My mother saw the line and was compelled to comment. “Look at that,” she said. “You’ve got two Beatle album titles in a row there!”

Of course, I could have corrected her in that moment. I could have pointed out to my mother that the album Rubber Soul is in the singular, not the plural. I think the thought even crossed my mind at the time. But I decided to dispense with any parsing. I clearly was growing into a different phase of my life.

Thanks to my mother and the band she introduced me to, I was beginning to view things a little less literally. And I would need that new mindset for the grey areas that lay ahead.

… In the liner notes of Flaming Pie, which – in my opinion – is the most Beatles-sounding of any album Paul McCartney has recorded since he became independent, there are comments from the artist regarding each song. I loved reading this note that Paul wrote about the song, The World Tonight: “The lyrics were just gathering thoughts. Like ‘I go back so far, I’m in front of me’ – I don’t know where that came from, but if I’d been writing with John he would have gone ‘OK, leave that one in; we don’t know what it means but we do know what it means.’”

I love that. We don’t but we do. It’s like spelling the name with a Bee or a Bea. Whatever is meant to take the stage will take the stage.

And history will unfold from there.